Two Forms of Fetishism: From the Commodity to Revolution in "Us"

Abstract

This essay contends that Jordan Peele’s Us (2019) connects the psychic operation of fetishistic disavowal to the existence of class division. By exploring the role that fetishistic disavowal plays in commodity fetishism, the film makes clear how the psychic disposition of the ruling class perpetuates the suffering of an underclass that lives beneath the surface. Us reveals the connection between two forms of fetishism just as it reveals the inseparability of the psyche from politics. What separates Us from the typical Marxist critique of bourgeois individualism is the connection that it establishes between the psychic disposition of the individual and the social situation in which the individual exists. Without the necessary psychic response to the situation, class inequality would quickly become unsustainable. Through the nature of the revolt the film depicts, Peele attempts to illustrate how the psychic disorders of individuals ensconced within capitalist society make possible the sustained existence of its inegalitarian structure.