Anatomy of a Screen Image
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Keywords

Cinematography
Visual Image
Screen Culture

How to Cite

Grigoryev, S. (2022). Anatomy of a Screen Image. Galactica Media: Journal of Media Studies, 4(1), 164-170. https://doi.org/10.46539/gmd.v4i1.240

Abstract

Book review: Poznin, V. F. (2021). Screen space and time. Structural-typological and perceptual aspects. St. Petersburg: Publishing House “Petropolis”.

https://doi.org/10.46539/gmd.v4i1.240
pdf (Русский)

References

Benjamin, W. (2004). The work of art in the age of its technical reproducibility. Selected essays. Medium. (In Russian).

Deleuze, G. (2004). Cinema. Ad Marginem. (In Russian).

Inishev, I. N. (2020). Distributed Imagery: Imaginative Practices of Contemporary Culture. ΠΡΑΞΗMΑ. Journal of Visual Semiotics, 1, 31–46. https://doi.org/10.23951/2312-7899-2020-1-31-46 (In Russian).

Mikhalkovich, V. I. (2006). Selected Russian film dreams. Agraph. (In Russian).

Poznin, V. F. (2012). Screen Space and Time: The Psychology of Perception. SPbGUKiT. (In Russian).

Poznin, V. F. (2021). Screen space and time. Structural-typological and perceptual aspects. Petropolis Publishing House. (In Russian).

Simmel, G. (2006). The Picture Frame: An Aesthetic Experience. In V. S. Vakhshtayn (Ed.), The sociology of things (pp. 48–54). Territory of the future. (In Russian).

Virillo, P. (2004). Vision machine. Nauka. (In Russian).

Volkova, P. S., Orekhova, E. S., Saenko, N. R., Trofimova, L. V., & Barova, A. G. (2020). Features of the modern process of differentiation of sense and meaning in communication. Media Watch, 11(4). https://doi.org/10.15655/mw/2020/v11i4/204639

Yampolsky, M. (1993). In memory of Teresius. Intertextuality and cinema. RIC Culture. (In Russian).

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