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Abstract
The intersection of literature and philosophy has long provided a space to explore complex ideas such as human existence, morality, and utopian ideals. By merging narrative with philosophical thought, this relationship has deepened the understanding of these abstract themes. In the last century, cinema has joined this dialogue, offering a visually rich platform for further philosophical exploration. The 2016 film “Passengers”, directed by Morten Tyldum, exemplifies this by engaging with the concept of utopia within the context of futuristic space travel. The film explores the age-old question of whether a perfect society, free from Earth’s imperfections, can be achieved. This article critically examines “Passengers” and how it engages with and critiques the concept of utopia within contemporary philosophical discourse. Through a cinephilosophical lens, the study aims to explore the contradictions inherent in the pursuit of utopia, reflecting on human ambition and idealism. By tracing the historical evolution of utopian thought, the article argues that “Passengers” symbolizes the shifting boundaries of utopia, which has transformed from a hopeful vision of the future into an elusive “no-place” and “no-time,” mirroring the anxieties and limitations of modern aspirations.
This article is an expanded and developed version of the paper presented as an abstract at the International Trends and Issues in Communication & Media Conference 2023.
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